《荒原狼》在中国的接受
赫尔曼·黑塞及其文学创作的本体论与诗学研究
这些文献主要关注黑塞的创作思想、双重人格批判现实主义、浪漫派传统以及对工业文明的反思,从本体论和诗学层面探讨其作品(包括《荒原狼》)的内涵。
- Names and the Creative Process: A Study of the Names in Hermann Hesse's" Lauscher,"" Demian,"" Steppenwolf," and" Glasperlenspiel"(J Mileck, 1961, Monatshefte)
- The Man Who Would Be Steppenwolf(R. H. Costa, 1982, The South Central Bulletin)
- 黑塞诗化生存哲思的筑居观(郝春燕, 2025, 信阳师范大学学报(哲学社会科学版))
- 海塞的批判现实主义文论(张玉能, 2009, 吉首大学学报(社会科学版))
- Romantic Imagination: Hermann Hesse as a Modern Novelist(R. Freedman, 1958, PMLA/Publications of the Modern Language Association of America)
跨文化视角下的赫尔曼·黑塞与中国思想的关联
这组文献探讨了黑塞对中国经典文学的理解、道家思想的影响以及其世界文学观在东西方语境下的交汇。
- FASCINATION AND MISUNDERSTANDING THE AMBIVALENT WESTERN RECEPTION OF DAOISM(K. Walf, 2005, Monumenta Serica)
- Zeitgeist and Literature: The Reception of Chinese Literature in Germany Until the First Half of the Twentieth Century(W Fang, 2023, A World History of Chinese Literature)
- Relevance of Hermann Hesse: A systematic review of different perspectives(Antony Jose, D. Wilson, 2024, International Journal of Humanities and Arts)
- 16: Hermann Hesse’s Goethe(Hans-Joachim Hahn, 2009, A Companion to the Works of Hermann Hesse)
- Hermann Hesse’s concept of world literature and his critique on Chinese literature(Chunhua Zhan, 2017, Neohelicon)
中国近代文学思潮与“荒原”意象的本土化阐释
该组文献侧重于中国背景下的文学论争、启蒙运动及知识人对“荒原”意象(如鲁迅作品中的“荒野”)的符号化解读,反映了中国语境下对“荒原”概念的独特接收与重构。
- 绅士、名士、斗士与流氓——知识人的内战与“文化惯习”的冲突(1924—1926)(许纪霖, 2021, 华东师范大学学报(哲学社会科学版))
- 狼与西方文明的起源(殷国明, 2002, 华东师范大学学报(哲学社会科学版))
- 阿Q的“解放”与启蒙的“颠倒” ——重读《阿Q正传》(罗岗, 2013, 华东师范大学(哲学社会科学版))
其他相关研究与非文学背景的“荒原狼”指代
此文献涉及名为“荒原狼”的机构(如芝加哥荒原狼剧团),与黑塞文学作品本身无直接的学术文学研究关系,属于名称的延伸使用。
- Steppenwolf Theatre Company of Chicago(John E. Mayer, 2016, Bloomsbury Publishing Plc Imprint previously known as Methuen Drama eBooks)
本次研究将关于《荒原狼》及相关主题的文献分为四类:第一类聚焦黑塞的创作哲学与诗学特质;第二类探讨黑塞作品与中国文化、道家思想及世界文学的互动;第三类分析中国本土背景下的文学思潮与荒原意象的互文性;第四类排除非文学性的名称重合案例。这些分组涵盖了从文学本体研究到跨文化接受及本土化衍生的全维度分析。
总计14篇相关文献
… So, Hesse’s understanding and reception of Chinese classical literature belongs to the western aesthetic tradition. This showes an attempt by a Western writer to understand a different …
… When considering the reception of China in Europe and in particular in Germany during the last 300 years (the earlier years will not be under consideration because of their accidental …
海塞是瑞士批判现实主义的主要代表人物之一,其文学思想的主要特点在于:一、富于浪漫主义情调的批判现实主义。二、沉思冥想的内省现实主义批判。三、双重人格冲突的批判现实主义。
以瞿秋白《〈鲁迅杂感选集〉序言》对鲁迅的分析为出发点,重读《阿Q正传》。可以看到:小说关于“阿Q姓什么”的讨论,构成了“作者”为阿Q“做正传”的起点;关于“阿Q想姓赵,赵老太爷却不让他姓赵”的叙述,构成了阿Q整个生命故事的起点;然而更重要的是,倘若把《阿Q正传》视为鲁迅对“辛亥革命”最深刻的反思,那么他就通过对“阿Q姓什么”的讨论和对“赵老太爷不准阿Q姓赵”的叙述,将“乡里空间”的崩溃作为反思“辛亥革命”的起点。这样来解读《阿Q正传》,并非要证明鲁迅先知先觉般地反驳了从“乡里空间”到“各省之力”的“辛亥革命新论”,而是要揭示出他深刻地预见了“乡里空间”崩溃所带来的悲剧性与革命性并重的后果,也就是从原来似乎蒙上了一层温情脉脉的面纱的宗法制社会中自觉或不自觉地放逐出、驱赶出一批又一批“阿Q”式的人物,他们就像一群又一群游荡在荒野上的孤魂野鬼,从而使得阿Q的“解放”构成了重新理解“启蒙”的关键。
1924—1926年间,正是五四与国民大革命两个时代之间的过渡期,在外部环境遽变的刺激之下,五四启蒙阵营内部发生了一波又一波的分化与冲突。现代评论派与语丝派由于在学术文化体制中的不同位置,形成了不同的“文化惯习”,发生了绅士与名士的论战。而在语丝派文人内部,周作人的名士风度与鲁迅的斗士性格也有微妙的差别。鲁迅因此联合激进青年另办《莽原》杂志。但后五四一代的狂飙派青年,高唱“新流氓主义”,企图打倒五四的老师一辈取而代之,掌控新的话语主导权。这几场论战形成的风气,为之后连绵不绝的“知识人内战”开创了恶性的范例。
黑塞传承了浪漫派诗哲衣钵,其诗化生存哲思基于工业文明肆虐的生存沙漠,反思生命枯竭的根源,形成人类筑养栖居之思的三个层面:一是提出诗人追求居住的艺术,追慕神性闪耀的自然,以之对抗工业化侵蚀的居所,反思城市的历史和未来,预言自然终将回归。二是指出人类应当体味“逃逸”去蔽的自由愉悦。“劳作”陷于功利,人就与生活本来的意义隔绝,“游戏”则融合了感性和理性,让“劳作”回归本源;“漫游”则滋养反思能力、激活生命力;“疯癫”或“死亡”是天才反抗世俗禁锢的生活表征。三是希冀人类保养仪式空间的神性,只有坚持信仰、体味神性、修养内心之爱才能使劳作不被物欲控制,回归家园。
… News about Chinese language and script as well as Chinese … A reception of Chinese literature did not begin in Europe until … In the case of Hermann Hesse and Bertold Brecht, there is …
… to see about the translation into Italian of his new novel, encounters a characteristic Lowryan dilemma. He finds himself being translated. He is translated into successive human editions …
… In r9z7 he purported to be the editor of Steppenwolf, a manuscript left to him by a vagrant Harry Haller. And in 194z he appeared as the editor of Glasperlenspiel, the biography and …
<JATS1:p>In 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world.</JATS1:p> <JATS1:p>Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre.</JATS1:p> <JATS1:p>This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today.</JATS1:p> <JATS1:p>Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf’s miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others.</JATS1:p>
… This paper analyses hundred studies on Hermann Hesse and his works taken from the … The opposites and unity: A study of Chinese Taoist thought found in Hermann Hesse's The …
Hermann Hesse's debt to the romantic tradition is a critical commonplace. It is perhaps less often recognized that he is also a distinctly modern novelist. Hesse's modernity is not confined to his period of preoccupation with Jungian psychoanalysis or to his brush with expressionism in Der Steppenwolf and elsewhere. Nor is it exclusively a negative principle: a rejection of contemporary reality and a search for new values, as in the monastery of Narziss or in the futuristic-medieval Kastalien of Das Glasperlenspiel. Rather, in aesthetic and moral terms, Hesse's modernity is found in his manner of formulating romantic thought and techniques. His aesthetic sensibility recalls Novalis and Jean Paul, but his way of implementing this sensibility is representative of a contemporary attitude.
… ’s personal development, Steppenwolf encompasses this … , terms closely associated with Weimar culture that will be dis… out to the wisdom of India, China, and ancient Greece. It was a …
本次研究将关于《荒原狼》及相关主题的文献分为四类:第一类聚焦黑塞的创作哲学与诗学特质;第二类探讨黑塞作品与中国文化、道家思想及世界文学的互动;第三类分析中国本土背景下的文学思潮与荒原意象的互文性;第四类排除非文学性的名称重合案例。这些分组涵盖了从文学本体研究到跨文化接受及本土化衍生的全维度分析。